My Blue Heaven (Walter Donaldson, George A. Honeysuckle Rose (Andy Razaf, Fats Waller) - 2:48ġ1. June Night (Abel Baer, Cliff Friend) - 2:59ġ0. Tea for Two (Irving Caesar, Vincent Youmans) - 2:59ĩ. Limehouse Blues (Philip Braham, Douglas Furber) - 2:48Ĩ. Memories of You (Eubie Blake, Andy Razaf) - 2:28Ħ. (Harris Lively Abdnor, Shelton Brooks, Dorothy Fields, Jimmy McHugh, Malvin Schonberger, Joe Young) - 3:01ĥ. Jazz Potpourri 2: Some of These/Sweet Sue/I Can't Give You. (Hoagy Carmichael, Dorothy Fields, Jesse Gorell, Jimmy McHugh) - 3:13Ĥ. ![]() Jazz Potpourri 1: On the Sunny Side of the. Ragas, Tony Sbarbaro, Larry Shields) - 2:41Ģ. Tiger Rag (Harry Da Costa, Eddie Edwards, Nick LaRocca, Henry W. Weil er nur in Skandinavien spielte, blieb er in Amerika zu Lebzeiten unbekannt. Svend Asmussen aus Kopenhagen war einer der grössten Swing-Geiger, einer der es mit Stephane Grappelli aufnehmen konnte. Phonographic Copyright (p) Phonogram S.p.A. Tiple, Acoustic Guitar, Quena: Pablo Romero Tenor Saxophone, Soprano Saxophone: Marco Valentini Mellotron, Synthesizer : Claudio Simonetti ![]() Guitar, Mandolin, Acoustic Guitar: Renato Bartolini Guitar, Harmonica, Percussion: Rodolfo Lamorgese Electric Bass, Double Bass: Marco Vannozzi L' Uomo Falco (Antonello Venditti) - 5:44 Il Telegiornale (Antonello Venditti) - 5:15Ĥ. Chen il Cinese (Antonello Venditti) - 4:09Ģ. Bomba O Non Bomba (Antonello Venditti) - 5:08Ĥ. Sotto il Segno Dei Pesci (Antonello Venditti) - 6:03ģ. Label und Katalognummer: Philips 6323 056ġ. Robert Hammerstrom: Dobro, Guitar (Acoustic)Īntonello Venditti : Sotto il segno dei pesci Patrick Haggerty: Guitar (Acoustic), Interviewee, Vocals Brendan Greaves: Design, Interviewer, Layout Lavender Country (Patrick Haggerty, Robert Hammerstrom) - 3:52 I Can't Shake The Stranger Out Of You (Patrick Haggerty, Robert Hammerstrom) - 2:39ġ0. ![]() Genretags: Country - Autorencountry - Singer-SongwriterĮrstes Country-Album mit explizit schwulen Songs.ħ. Label und Katalognummer: Gay Community Social Services of Seattle, Inc.
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